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the
process: Embedded
Lenticular Print
Krause
Studio, Marshfield Hills, MA, 2002
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Using the lenticular software, 3D
Genius, the tiff files
were put
into an animation, cut and reassembled
in vertical strips. This interlaced file was printed with the Epson 9500
on Rexam clear film.
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“Promised Land”
16x24 inches (40 x 60 cm)
©Dorothy Simpson Krause 2002
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The collaged journal pages silhouetting the gilded city of Jerusalem against small pieces of gold
and silver prayer paper were finished in Israel on September 11, 2001. The following
day, the black and white photo of the imploding World Trade Center tower was
added. This image became the symbol of the series and was named the same as
the journal, Promised Land.
The double-page spread was printed using
the Wasatch RIP, on the Epson 9500 on Hahnemuhle Torchon fine art paper. Using
a photograph taken by Swiss photographer, Viola Kaumlen, a small lenticular
image was made of the towers imploding. The first image shows the towers prior
to the impact; the second shows them collapsing and the third shows the clouds
of ash. In PhotoShop the three images were aligned and each layer saved as a
separate tiff file. |
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It was carefully
aligned behind a 30-line Microlens lens, a sheet of plastic with
a series of parallel lens or lenticules embossed into the surface.
Silver leaf was added behind. A rectangle the size and position
of the lenticular was cut out of a piece of 16” x 24”
matte board. The print was glued to the matte board and the printed
tower image cut away leaving a hole. The small lenticular was fitted
into the space, level with the surface. Silver leaf around the lenticular
adds additional reflectivity.
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As you move past he image, the collapse is continuously “replayed” until you stop, be still and focus on the part of the image you choose to see. It is that ability to view selectively that enables to go forward in our lives and in our art.
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