the process: Transfer Print
Krause Studio, Marshfield Hills, MA, 1997
The key source image was a photograph of a street scene in Oxaca, Mexico taken by Swiss photogtrapher Viola Kaumlen. It was cropped to focus on a woman looking over her shoulder. The other two images were a photograph of a peeling, rusty globe and a black and white tower from Desk Gallery, Zedcor, Inc. copyright-free cd-rom.
"Looking Back"
 
30x22 inches (76 x 56 cm)
©Dorothy Simpson Krause 1997

01. Original Photograph 02. Globe
03. Tower
04. Screen Shot of Layers

*The secret of digital transfers is the precoat which encapsulates the waterbased inkjet dye/ pigment and releases them to damp paper by capillary action. Kimoto SC4 clear film works well with both pigment and dye inks. well

Eleven layers with different composite choices and adjustment options were used to make the digital file.
The file was flipped horizontally in the Cactus RIP and printed on an Encad Novajet Pro 50 using QIS white film. The paper, an Indian Bagasse handmade paper, was thoroughly soaked in water, drained then blotted. The printed image was placed on the wet paper, covered with printmaking blankets and put through an etching press. The image from the film transfers almost totally to the paper. The final print was enhanced with metallic pastels and pigment.
05. Printing Transfers 06. Soaking Paper 07. Pulling the Print 08. Handwork on the Print
Dorothy Simpson Krause • 3100 NE 48th St. #912 Ft. Lauderdale, FL 33308 • 781 424 5276 • DotKrause@DotKrause.com